{"id":4951,"date":"2020-12-10T09:21:18","date_gmt":"2020-12-10T08:21:18","guid":{"rendered":"https:\/\/urdla.com\/blog\/?p=4951"},"modified":"2021-05-12T16:47:08","modified_gmt":"2021-05-12T14:47:08","slug":"anne-lise-coste-we-shall-dance","status":"publish","type":"post","link":"https:\/\/urdla.com\/blog\/anne-lise-coste-we-shall-dance\/","title":{"rendered":"<i>We shall dance<\/i>"},"content":{"rendered":"<p class=\"p1\"><a href=\"https:\/\/urdla.com\/blog\/expositions\/\" target=\"_blank\" rel=\"noopener\">[version fran\u00e7aise]<\/a><\/p>\n<p class=\"p1\">Arborescent and polymorphous, deriving from the techniques of drawing and painting, the work of <a href=\"https:\/\/urdla.com\/artiste\/591-coste\" target=\"_blank\" rel=\"noopener\">Anne-Lise Coste <\/a>spreads out on walls and in the pages of notebooks, in sculptures and in art installations<span class=\"s1\">.<\/span> Using her body as a measure for scale, the outlines of the imprint and the sediments of motion are revealed.<\/p>\n<p class=\"p1\">Not so much watchwords as words to be watched, many of her artworks, among which those published by URDLA, urge us to rethink our relationship to the world. Her work draws on calligraphy and graffiti, tinged with the bold colours of Joan Mir\u00f3, dispelling the boundaries between word and image. Broken-up words become visual phonemes, sounds and images elude meaning.<\/p>\n<p class=\"p1\">Anne-Lise Coste combines the spontaneousness and the vitality of spray painting with the multiple iterations of lithographic prints. She partakes of a popular form of political subversion, that of street art and visual activism.<span class=\"s1\"><span class=\"Apple-converted-space\">\u00a0<\/span><\/span><\/p>\n<p class=\"p1\">As early as the 16th century, during the uprising known as the <i>German Peasants\u2019 War<\/i>, the circulation of prints helped bolster aspirations to rebellion and emancipation. Blending the modernity of spray-paint art and the traditional craft of lithography, Anne-Lise Coste reminds us this timeless form of subversion is still very much topical. Her strokes, the tracing of words meant to be read, follow on the long history of master printers.<\/p>\n<p>&nbsp;<\/p>\n<p class=\"p1\"><img loading=\"lazy\" class=\"wp-image-4779 alignnone\" src=\"https:\/\/urdla.com\/blog\/wp-content\/uploads\/2021\/03\/IMG_0584.jpg\" alt=\"\" width=\"862\" height=\"656\" srcset=\"https:\/\/urdla.com\/blog\/wp-content\/uploads\/2021\/03\/IMG_0584.jpg 794w, https:\/\/urdla.com\/blog\/wp-content\/uploads\/2021\/03\/IMG_0584-300x228.jpg 300w, https:\/\/urdla.com\/blog\/wp-content\/uploads\/2021\/03\/IMG_0584-768x584.jpg 768w\" sizes=\"(max-width: 862px) 100vw, 862px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p1\">Spontaneity accounts for the strong sense of immediacy that runs through her work. She throws herself dizzily into the act of creation, letting its manifestation and the sense of sight exhaust each other with a searing intensity.<\/p>\n<p class=\"p1\">Anne-Lise Coste sees herself as an echo chamber. Riffled-through pages from a book, a poetic manifesto \u00ab\u00a0for both the heavens and the hearts of dogs\u00a0\u00bb, her lithographs ooze with urgency: engraved in stone and printed, it calls for meditation. An incantation or a mantra, silently raged against invisible barriers, the artist\u2019s gesture seeks to break free.<\/p>\n<p class=\"p1\">Lithography\u2019s high speed and excellent image-quality retention lend themselves to the replication of gestures in an infinite variety of traces. Through associations and repetitions, juxtapositions and superimpositions, words, colours and forms become polysemous. Anne-Lise Coste\u2019s semiotics lay bare the porosity of a poeticised world on a world of grievances<span class=\"s1\">.<\/span> <a href=\"https:\/\/urdla.com\/blog\/expositions\/\" target=\"_blank\" rel=\"noopener\">\u201cWe Shall Dance\u201d<\/a> presents visitors with a silent polyphony in which the inner monologue dares become a political slogan: an attempt to voice a sounding \u201cWE\u201d.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Arborescent and polymorphous, deriving from the techniques of drawing and painting, the work of Anne-Lise Coste spreads out on walls and in the pages of notebooks, in sculptures and in art installations.<\/p>\n","protected":false},"author":4,"featured_media":4775,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/urdla.com\/blog\/wp-json\/wp\/v2\/posts\/4951"}],"collection":[{"href":"https:\/\/urdla.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/urdla.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/urdla.com\/blog\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/urdla.com\/blog\/wp-json\/wp\/v2\/comments?post=4951"}],"version-history":[{"count":11,"href":"https:\/\/urdla.com\/blog\/wp-json\/wp\/v2\/posts\/4951\/revisions"}],"predecessor-version":[{"id":4984,"href":"https:\/\/urdla.com\/blog\/wp-json\/wp\/v2\/posts\/4951\/revisions\/4984"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/urdla.com\/blog\/wp-json\/wp\/v2\/media\/4775"}],"wp:attachment":[{"href":"https:\/\/urdla.com\/blog\/wp-json\/wp\/v2\/media?parent=4951"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/urdla.com\/blog\/wp-json\/wp\/v2\/categories?post=4951"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/urdla.com\/blog\/wp-json\/wp\/v2\/tags?post=4951"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}