{"id":31601,"date":"2024-12-03T10:55:32","date_gmt":"2024-12-03T09:55:32","guid":{"rendered":"https:\/\/urdla.com\/blog\/?p=31601"},"modified":"2025-02-26T11:49:52","modified_gmt":"2025-02-26T10:49:52","slug":"black-sapate-gilles-pourtier","status":"publish","type":"post","link":"https:\/\/urdla.com\/blog\/black-sapate-gilles-pourtier\/","title":{"rendered":"Black Sapate, Gilles Pourtier"},"content":{"rendered":"<p class=\"p3\" style=\"text-align: right;\"><i>\u00ab(&#8230;) avant que les Lumi\u00e8res ne se transforment en incendies\u00bb.<br \/>\n<\/i>Germaine de Sta\u00ebl<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p1\"><i>Black Sapate<\/i> trouve ses racines dans le souvenir du Bicentenaire de la R\u00e9volution fran\u00e7aise. \u00c0 travers des estampes, sculptures et photographies, <a href=\"https:\/\/urdla.com\/artiste\/596-pourtier\">Gilles Pourtier<\/a> explore la rencontre entre histoire personnelle et histoire collective. Il s\u2019inspire de sa jeunesse en 1989, o\u00f9 la c\u00e9l\u00e9bration de cet \u00e9v\u00e9nement forgea sa conscience politique, notamment avec une reproduction du tableau de \u00ab\u00a0La d\u00e9claration des droits de l\u2019homme et du citoyen\u00a0\u00bb de Le Barbier, socle des valeurs r\u00e9publicaines.<\/p>\n<p class=\"p1\">Son titre, <i>Black Sapate<\/i>, jeu de mots associant le groupe de rock <i>Black Sabbath<\/i> et \u00ab Cinq Sapates \u00bb de Francis Ponge, souligne la solution alchimique que propose Gilles Pourtier aux troubles du temps pr\u00e9sent.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p><img loading=\"lazy\" class=\"wp-image-31911 aligncenter\" src=\"https:\/\/urdla.com\/blog\/wp-content\/uploads\/2024\/07\/IMG_3116-scaled.jpg\" alt=\"\" width=\"1080\" height=\"719\" srcset=\"https:\/\/urdla.com\/blog\/wp-content\/uploads\/2024\/07\/IMG_3116-scaled.jpg 2560w, https:\/\/urdla.com\/blog\/wp-content\/uploads\/2024\/07\/IMG_3116-300x200.jpg 300w, https:\/\/urdla.com\/blog\/wp-content\/uploads\/2024\/07\/IMG_3116-1024x682.jpg 1024w, https:\/\/urdla.com\/blog\/wp-content\/uploads\/2024\/07\/IMG_3116-768x511.jpg 768w, https:\/\/urdla.com\/blog\/wp-content\/uploads\/2024\/07\/IMG_3116-1536x1023.jpg 1536w, https:\/\/urdla.com\/blog\/wp-content\/uploads\/2024\/07\/IMG_3116-2048x1363.jpg 2048w, https:\/\/urdla.com\/blog\/wp-content\/uploads\/2024\/07\/IMG_3116-2000x1331.jpg 2000w, https:\/\/urdla.com\/blog\/wp-content\/uploads\/2024\/07\/IMG_3116-1568x1044.jpg 1568w, https:\/\/urdla.com\/blog\/wp-content\/uploads\/2024\/07\/IMG_3116-272x182.jpg 272w\" sizes=\"(max-width: 1080px) 100vw, 1080px\" \/><\/p>\n<p class=\"p1\">Pour r\u00e9aliser cette transformation des signes et des symboles, Gilles Pourtier s\u2019est attel\u00e9 \u00e0 URDLA, \u00e0 partir d&rsquo;une composition typographique en plomb inspir\u00e9e du tableau, avec laquelle il a op\u00e9r\u00e9 un d\u00e9bossage du verso sur papier coton, intitul\u00e9 <i>Le soleil de la raison engendre des monstres<\/i>, en r\u00e9f\u00e9rence \u00e0 l\u2019\u0153uvre de Goya.<\/p>\n<p class=\"p1\">Le plasticien a fondu les plombs pour en faire un cube monobloc et massif. Cet objet, devenu sculpture, a ensuite servi de matrice pour l\u2019impression d\u2019une s\u00e9rie de monotypes de grands formats (120 x 80 cm). Avec les faces du cube, Pourtier a extrait 11 combinaisons possibles, des estampes qui rejouent les 11 premiers articles de la <i>D\u00e9claration des droits de l\u2019homme et du citoyen<\/i>.<\/p>\n<p><img loading=\"lazy\" class=\"wp-image-31912 aligncenter\" src=\"https:\/\/urdla.com\/blog\/wp-content\/uploads\/2024\/07\/black_sapate_12.jpg\" alt=\"\" width=\"1080\" height=\"720\" srcset=\"https:\/\/urdla.com\/blog\/wp-content\/uploads\/2024\/07\/black_sapate_12.jpg 2362w, https:\/\/urdla.com\/blog\/wp-content\/uploads\/2024\/07\/black_sapate_12-300x200.jpg 300w, https:\/\/urdla.com\/blog\/wp-content\/uploads\/2024\/07\/black_sapate_12-1024x683.jpg 1024w, https:\/\/urdla.com\/blog\/wp-content\/uploads\/2024\/07\/black_sapate_12-768x512.jpg 768w, https:\/\/urdla.com\/blog\/wp-content\/uploads\/2024\/07\/black_sapate_12-1536x1024.jpg 1536w, https:\/\/urdla.com\/blog\/wp-content\/uploads\/2024\/07\/black_sapate_12-2048x1366.jpg 2048w, https:\/\/urdla.com\/blog\/wp-content\/uploads\/2024\/07\/black_sapate_12-2000x1334.jpg 2000w, https:\/\/urdla.com\/blog\/wp-content\/uploads\/2024\/07\/black_sapate_12-1568x1046.jpg 1568w, https:\/\/urdla.com\/blog\/wp-content\/uploads\/2024\/07\/black_sapate_12-272x182.jpg 272w\" sizes=\"(max-width: 1080px) 100vw, 1080px\" \/><\/p>\n<p class=\"p1\">Le cube sur son socle de ch\u00eane, ainsi que ses impressions, rendent bien compte du jeu de pouvoir en filigrane, tel un d\u00e9 arbitraire et omnipr\u00e9sent qui p\u00e8se sur le citoyen. \u00c0 ce malaise d\u00e9mocratique, Gilles Pourtier r\u00e9pond par une langue obscure et r\u00e9volt\u00e9e qui proc\u00e8de aussi bien \u00e0 la d\u00e9construction qu\u2019\u00e0 la mat\u00e9rialisation d\u2019une certaine id\u00e9e de libert\u00e9.<\/p>\n<p class=\"p1\">URDLA invite \u00e0 d\u00e9couvrir <i>Black Sapate<\/i>, exposition de Gilles Pourtier du 14 d\u00e9cembre 2024 au 22 f\u00e9vrier 2025 avec un vernissage le samedi 14 d\u00e9cembre de 14 heures 30 \u00e0 18 heures.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p class=\"p3\" style=\"text-align: right;\"><span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Du 14 d\u00e9cembre 2024 au 22 f\u00e9vrier 2025, URDLA pr\u00e9sente Black Sapate, une exposition monographique de Gilles Pourtier. <\/p>\n","protected":false},"author":4,"featured_media":31910,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[7],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/urdla.com\/blog\/wp-json\/wp\/v2\/posts\/31601"}],"collection":[{"href":"https:\/\/urdla.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/urdla.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/urdla.com\/blog\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/urdla.com\/blog\/wp-json\/wp\/v2\/comments?post=31601"}],"version-history":[{"count":51,"href":"https:\/\/urdla.com\/blog\/wp-json\/wp\/v2\/posts\/31601\/revisions"}],"predecessor-version":[{"id":81030,"href":"https:\/\/urdla.com\/blog\/wp-json\/wp\/v2\/posts\/31601\/revisions\/81030"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/urdla.com\/blog\/wp-json\/wp\/v2\/media\/31910"}],"wp:attachment":[{"href":"https:\/\/urdla.com\/blog\/wp-json\/wp\/v2\/media?parent=31601"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/urdla.com\/blog\/wp-json\/wp\/v2\/categories?post=31601"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/urdla.com\/blog\/wp-json\/wp\/v2\/tags?post=31601"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}