{"id":2654,"date":"2016-10-27T10:59:43","date_gmt":"2016-10-27T08:59:43","guid":{"rendered":"https:\/\/urdla.com\/blog\/?p=2654"},"modified":"2020-04-07T11:00:02","modified_gmt":"2020-04-07T09:00:02","slug":"les-heures-creuses-karen-serra","status":"publish","type":"post","link":"https:\/\/urdla.com\/blog\/les-heures-creuses-karen-serra\/","title":{"rendered":"Les heures creuses, Karen Serra"},"content":{"rendered":"<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Apr\u00e8s deux r\u00e9sidences de travail en 1998 et 2000, Karen Serra est revenue \u00e0 l\u2019URDLA au cours de l\u2019\u00e9t\u00e9 afin de produire de nouvelles estampes. Aux c\u00f4t\u00e9s de ses trois derni\u00e8res lithographies M\u00e9l\u00e8ze, Les Heures creuses et En friche (de gauche \u00e0 droite), l\u2019artiste pr\u00e9sente un ensemble d\u2019\u0153uvres r\u00e9centes associant peintures et collages sur bois, toile et papier (ainsi que les premi\u00e8res \u00e9ditions r\u00e9alis\u00e9es \u00e0 l\u2019URDLA).<\/p>\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Karen Serra r\u00e9alise ses peintures avec de la gouache et de l\u2019acrylique, elle op\u00e8re la plupart du temps par d\u00e9coupes et collages, de mani\u00e8re \u00e0 ce que les formes qui s\u2019\u00e9rigent sur les fonds se masquent entre elles. La premi\u00e8re estampe (1998) reprenait ce proc\u00e9d\u00e9 par l\u2019adjonction de formes simples d\u00e9coup\u00e9es dans du papier chinois. Cette fois, elle a souhait\u00e9 abandonner ce principe en prenant en compte les possibilit\u00e9s et les contraintes techniques li\u00e9es \u00e0 la lithographie qui suscitait sa curiosit\u00e9 et lui semblait r\u00e9sonner avec sa pratique picturale.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Apr\u00e8s deux r\u00e9sidences de travail en 1998 et 2000, Karen Serra est revenue \u00e0 l\u2019URDLA au cours de l\u2019\u00e9t\u00e9 afin de produire de nouvelles estampes<\/p>\n","protected":false},"author":4,"featured_media":2676,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[7],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/urdla.com\/blog\/wp-json\/wp\/v2\/posts\/2654"}],"collection":[{"href":"https:\/\/urdla.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/urdla.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/urdla.com\/blog\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/urdla.com\/blog\/wp-json\/wp\/v2\/comments?post=2654"}],"version-history":[{"count":5,"href":"https:\/\/urdla.com\/blog\/wp-json\/wp\/v2\/posts\/2654\/revisions"}],"predecessor-version":[{"id":2679,"href":"https:\/\/urdla.com\/blog\/wp-json\/wp\/v2\/posts\/2654\/revisions\/2679"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/urdla.com\/blog\/wp-json\/wp\/v2\/media\/2676"}],"wp:attachment":[{"href":"https:\/\/urdla.com\/blog\/wp-json\/wp\/v2\/media?parent=2654"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/urdla.com\/blog\/wp-json\/wp\/v2\/categories?post=2654"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/urdla.com\/blog\/wp-json\/wp\/v2\/tags?post=2654"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}